Friday, November 26, 2010

Stieg Larsson's Millennium trilogy - part four!

Bit of an Electric Goose exclusive here. During my travels in India I stumbled across a manuscript - not literally, of course, I'm perfectly capable of remaining upright in the face of paper obstacles - which I believe to be a fragment of the fourth book in Stieg Larsson's bestselling Millennium trilogy, a follow-up to third and supposedly final book The Girl Who Kicked the Hornets' Nest. People, on the day the movie version of the aforementioned novel is released, I give you an extract from the new Lisbeth Salander/Mikael Blomkvist crime epic: The Girl Who Went to the Shops...


THE GIRL WHO WENT TO THE SHOPS

Lisbeth Salander put on a T-shirt which read You don't have to be mad to work here, but it helps and went into her kitchen. At 8.58am, she placed a white ceramic bowl on her Svasbo breakfast table. She poured some cereal into the bowl, followed by some milk. She ate the cereal. At 9.10am, she washed the bowl and spoon, then dried them. She picked up her Apple G4 PowerBook with 60GB hard drive, 1GB of RAM and 15" screen with two USB sockets, and put it in her bag, along with a small canister of Mace. Then she went out.

***

Jerker Strömström was a noisome, vital man. He was one metre sixty-three, with vigorous long blonde hair, an untidy beard and a noisome expression. He had noisome grey trousers, a blue shirt and black shoes. He watched as a childlike young lady with a number of tattoos and piercings walked into his shop. Fucking lesbian whore. The girl picked up a basket.

Shops are business establishments that allow individuals to purchase items for personal use in exchange for money. Items can be bought using cash, debit card or cheque, although in 1993, the Swedish government in their wisdom had introduced draconian legislation forcing anyone using a credit card to pay a 12 percent surcharge on all transactions under 100 Kroner. In 1995, a group of rebel MPs had tried to overturn the ruling, but had failed. In 1998, they had tried again, but had also failed. In 2001 they had tried and failed again. In 2003 they had tried and failed again. In 2006 they had tried and failed again.

Strömström looked at the girl suspiciously.

***

Journalist Mikael Blomkvist sighed with satisfaction. He had just finishing writing and editing the latest issue of Millennium magazine and an accompanying book, having worked for 19 hours straight with no breaks. He flicked on the radio in his office. The song that came on was 'Reach' by S Club 7. He stood up and reached for a copy of The Mysterious Affair at Styles by Agatha Christie. Being one metre and eighty-three tall, he managed to grasp the book from its place on the top of his bookshelf with ease. He sat down and started to read.

***

Salander looked around the shop, deciding what she was going to need. She picked up a basket and began to shop, taking a tube of Colgate toothpaste, two pencils, an apple, a 1.5-litre bottle of Coca-Cola, four packets of ready salted crisps and a pair of shoelaces. She walked further down the aisle and took a 200g tin of baked beans. I really like baked beans. She went to the cashier, who told her the items came to 98 Kroner. She took out her card to pay.

***

As the girl took out her card, Strömström narrowed his eyes, and smugly began to tell the girl about the 12 percent surcharge. Before he had even finished his sentence, he felt a sharp stinging in his eyes as Salander sprayed Mace directly into his face. What the hell? Out of nowhere, he felt his jaw break as she kicked him in the face and he fell to the floor in agony. She took out a hammer and he moaned in pain as she smashed him in the ribs. Another woman-hater had learned not to provoke Lisbeth Salander.

***

Blomkvist looked across from his office window, frozen with shock at the supermarket scuffle he'd just witnessed. What the hell? Then he recognised Lisbeth Salander. Of course. Despite being only one metre fifty tall and weighing less than 90 pounds, she truly was the smartest and most introverted person he'd ever met. She was just so... odd.

***

As Salander left the shop, she happened to glance into a nearby window. A man was watching with a look of surprise on his face. She couldn't believe it. Kalle fucking bastard bloody idiot Blomkvist.

THE END

(Posted with apologies to the late Stieg Larsson and his translator, since I did actually really enjoy the books. After finishing this, I noticed Nora Epron had written her own parody for The New Yorker - it's rather good, and you can read it here.)

Thursday, November 25, 2010

India, part 1: Benaulim and Varca, Goa

Okay, let's crack on, shall we? I'm not going to write much about the first few weeks, because that was the honeymoon period (literally), and my brain was switched off for much of it. But my camera was on, and it recorded the following things with the help of my right index finger:

Men disguised as beach shack roof
Men disguised as a beach shack roof!

Pebbles
Pebbles looking pretty!

Boat name FAIL
Inappropriately-named boat!

Beach parasailing
People actually doing some anal parasailing!

Pay phone
Entropy!

Cross
Me trying to recreate the Easy Rider bad acid trip/graveyard scene using my new camera!

Scary red door
Scary Kubrickian red hotel door!

Benaulim beach at dusk
A man bringing some petrol to a beach party!

Sarah
Sultry new wife!

Click here for a few more pics from Benaulim. Next up, another part of Goa ending in 'im'. You can hardly wait.

Sunday, November 21, 2010

Our last day in Kennington

So, Sarah and I decided to get married, quit our jobs, move out of our flat and go to India for a while. I'll skip over parts one, two and three and move straight on to the fourth bit, because that's where we're at now.

It was the last week of October and we were still reeling from both the wedding happiness and the packing stress. We rose early to catch our flight - but it was hard to tell whether the man who controls the sky was pleased about this or not.

Our last day in Kennington

And then, we were off... Goodbye, big city, friends, flat OHGODWHATAREWEDOING&$%*&

Our last day in Kennington

More pictures will surely follow. You may have guessed this.

Saturday, November 20, 2010

Atherton rides again

Long-term readers of this blog may remember my failed attempts to organise a film festival in my flat in Stockwell dedicated to the films of the actor William Atherton (Die Hard, Ghostbusters, etc). It was with much delight on my wedding day I got to hear a special message from the man himself (or at least someone who sounded very much like they could have been the man himself) - all thanks to my best man, also called William. For your listening pleasure, dear reader, I've posted it below. Damn right the happiest day of my life!

Message from William Atherton by willparkhouse

(Posted with apologies to the real William Atherton and my wife for the comment above. Wife! It still sounds weird.)

Monday, October 04, 2010

Flats entertainment

The Kennington Flats: they don't quite have the resonance of The Stockwell Flats, but this was quite a nice one, from earlier this evening.

Kennington Flats

Sunday, October 03, 2010

Back to the Future turns 25

Not the first time this blog has pondered Back to the Future (notes on Doc Brown's inheritance here, and brief digression on the "we don't need roads" line with heated discussion in the comments here) - but last night was the first time I've ever seen the film in the cinema (it's currently on re-release to celebrate its 25th anniversary) - and a few fresh thoughts came to light.

- Marty's first line in the film - "Hey Doc? Doc? Hello? Anybody home?" - is a fun pre-echo of Biff's catchphrase ("Hello? Hello? Anybody home? Think, McFly, think.")

- Although the writers will doubtless be wrong about the everyday availability of hoverboards and miniature pizzas (you've got five years to abolish roads, Obama!), the fact that the time machine Mk.II runs on household waste does anticipate the rise of the recycling movement.

- PRO TIP: If you want to find out more about time and how it works, do a Google image search for Claudia Wells, who played Jennifer.

- On the big screen, you get a clearer sense of how many brands, signs and billboards there are jostling for attention (aside from, say, the Calvin Klein and Pepsi references within the script itself). The big JC Penney sign in the Twin Pines car park should feel like intrusive product placement, but it actually adds some colour to the scene - and its neon glow contrasts with Hill Valley's 1955 shops.

- I've always thought of BTTF as a perfectly plotted film, but in the cinema there are a few moments that are just too pat, and as a result, end up being unintentionally funny - for example, Doc pointing out that you can never predict when or where a bolt of lightning will strike is followed immediately by Marty's OH WAIT WHAT'S THIS FLYER I'M HOLDING? Despite clearly being fans, I sensed that my fellow cinema-goers also found it tricky to suspend their disbelief when Marty's family photo shows, um, his brother's head missing. ("Erased... from existence!")

- Doc's social ineptitude is wonderfully done - cf. his awkwardness when Lorraine turns up unannounced at the Brown residence, and as his hilarious description of the Enchantment Under the Sea ball as a "rhythmic ceremonial ritual".

- Just before departing for the future, Doc tells Marty: "I've always dreamed on seeing the future, looking beyond my years, seeing the progress of mankind. I'll also be able to see who wins the next twenty-five World Series." Is this a joke? He goes nuts when Marty tries to do something similar in the second film. (Brings us back to the question of where the Brown estate comes from.)

- Sarah and I are flying to India on our honeymoon exactly 25 years to the day after Marty and Doc's very first time travel experiment. October 26 is also the anniversary of the eradication of smallpox and the date the far side of the moon was first photographed.

- I enjoyed this analysis by Adam Smith (!) over on the Empire site (although he spelt 'Zemeckis' wrong):

Applying anything approaching rigorous criticism to Back To The Future would be like taking a jack-hammer to a perfectly risen souffle, but there are a number of intriguing readings to [Robert] Zemekis' movie, particularly since hostile critics of the directors' subsequent work, Forrest Gump and Contact, have detected in him a Capra-esque conservatism. You could make the case that BTTF is a manipulative critique of the 80s through the prism of an airbrushed version of the 50s that owes more to George Lucas' American Graffiti than the turmoil of the decade itself (the burning crosses and blacks dangling from trees are presumably "just out of shot").


Zemekis seems to be accusing the 80s of betraying the American Post War dream; Marty's frumpy, nervous, bullied family are not the way things were meant to turn out (next to them at the dinner table you wonder if Marty ever inquired whether he was adopted) in the same way that the grasping 80s are not the legitimate offspring of the "innocent" 50s. Of course this is all a bit speculative.

*takes jack-hammer to perfectly-risen souffle*

(Actually, as they watch George being bullied at school, Doc does murmur to Marty: "Maybe you were adopted.") Of course, when Marty returns to 1985 having put right what once went wrong, his family are a less "loser"-like version of themselves and seem to be living the '80s American dream. Which, on reflection, is why they seem a little bit like a bunch of badly-dressed yuppie assholes. Meanwhile, getting back home to the people he loves apparently isn't enough: Marty has to be rewarded with a big gas guzzler too.

- I wonder if this film has ever been shown in Libya.

Saturday, September 25, 2010

Collins, Gonzales, Newsom

Thought you might like to read some album reviews I've written recently. We have Losing Sleep by Edwyn Collins here, and Ivory Tower by Chilly Gonzales here. If not, here's a two-year-old doing a convincing impression of Joanna Newsom.